For over 30 years, capturing the best of nature and people in motion.
Nature & Sports Imagery
I My work explores the intersection of motion and stillness through two subjects that challenge a photographer in very different ways: the quiet complexity of the natural world and the explosive energy of athletic performance. Whether I am waist-deep in a marsh at sunrise or pressed against the sidelines of a stadium, my goal remains the same—to capture moments that are both fleeting and deeply expressive.
Nature Photography
In nature, I look for scenes that reveal the subtle rhythms of the environment. I focus on light, texture, and organic forms, working patiently to let the landscape unfold on its own terms. Soft dawn light, shifting weather, and the behavior of wildlife often guide my compositions more than any preconceived plan. I approach each location with respect and curiosity, aiming to document not just its beauty, but its mood—whether it’s the quiet tension before a storm or the warmth of late-day sun filtering through trees. My nature imagery emphasizes serenity, detail, and a sense of belonging to a larger ecosystem.
Sports Photography
Sports demand the opposite approach: speed, anticipation, and precision. Instead of waiting for the perfect scene to form, I track split-second movements, reading the athletes’ body language and understanding the rhythm of the game. I strive to freeze peak action—impact moments, airborne motion, expressions of determination—while preserving the atmosphere that surrounds competition. In my sports work, I aim to show strength, intensity, and the human spirit in motion. Fast shutter speeds, dynamic angles, and tight timing are essential tools in capturing these decisive moments.
Unified Vision
Although nature and sports appear to be contrasting subjects, both share a sense of unpredictability that inspires my photography. Each requires patience, presence, and a willingness to adapt. My images are built on the idea that beauty exists both in stillness and in motion, and that powerful storytelling happens when the viewer can feel the moment—not just see it.
I started shooting in the early 1980’s when I was in the Navy. Stationed on 2 different 637 class fast attack submarines, I was given permission to shoot on board pictures. During that time, I would shoot images of life on board a US nuclear submarine. I also found myself being drawn to shooting sporting events. In the 1990’s I moved to Missouri and spent the next 20 years there. I worked for the Department of Justice as a computer forensic examiner and served with them for over 13 years.
Then in 2012, I took a position in Afghanistan working for the US Navy intelligence unit. After 2 years I took a position with a Top 100 company as an IT investigator. Currently I’m transitioning into retirement where I look forward to have more time to dedicate to photography and other hobbies.
